Inside Let It Go: Dave Barron Talks Vision, Grit, and Sonic Ambition

Stafford’s own Dave Barron is making waves with his explosive debut single, “Let It Go.” A self-taught multi-instrumentalist and masterful composer, Barron fuses orchestral drama with the kinetic energy of progressive rock, earning comparisons to Muse while forging his own unmistakable identity.

We caught up with him for a candid, long-form interview to discuss Let It Go and the persistence driving his distinctive path.

Let It Go” is your lead single—what story or moment sparked it, and what do you hope listeners feel the first time they press play?
“- A  Essentially, the song is about fidelity. No matter how attractive women are that in various circumstances crop up as what can be asutensibly known as ‘a certainty, it’s about seeing past it to ensure you don’t ruin what you have. In my case I’ve been with my wife for a long time and she’s my soul mate so to ruin that would hurt Her and myself and the whole of our periphery. Once you realise this, you read  meanings in the verses.”

As a self-taught composer and a professional builder, do design principles from building—structure, load-bearing, flow—influence how you arrange and produce tracks? 
I’ve likened composition to building and construction yes. I liken it to architecture and engineering.  When viewed abstractly you are creating various elements that all form part of a set piece of work rather similar to a building. And from a personal perspective, I carry out all the works required to complete the build and I also play all the instruments in the studio. Except for drums that is. I can play drums but I’m not practised  enough to make it viable. 

How does your Muay Thai training translate to the way you perform, rehearse, or manage nerves on stage?
“I don’t actually get nervous on stage but it keeps my fitness up so I can bounce about without any trouble.”

What production choices define “Let It Go”? Any specific tunings, time signatures, mic techniques, or orchestral libraries/players you relied on? 
“It had to have a good groove. I built it around a riff that I had hanging around and couldn’t find a place for until I came up with the second riff that opens the song. The riff has a blue note which in the chorus  harmonises with a major 2nd chord which gives it a nice twist.”

Stream “Let It Go”: